Anton Batagov
DIFFERENT THINGS

 

1. 6th Avenue & West 18th Street

2. Just One

 

Total time: 25:04

 

Alexander Korenkov - baritone
Kate Venter - mezzo-soprano
Asya Sorshneva - violin, viola
Olga Demina - cello
Dmitri Shumilov - double bass
Anton Batagov - piano, electric organ

 

Composed by Anton Batagov, 2017
Recorded, edited and mixed by A B, 2024

Cover and inlay images by: Alisa Naremontti
Design by: Sergey Krasin
Executive producer: Sergei Krasin
Thanks to: Mikhail Baryshnikov, Alexei Lubimov

 

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BOOKLET
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LISTEN / BUY

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VIDEO

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This composition was commissioned by Baryshnikov Arts Center / Cage Cunningham fellowship. The purpose of this commission was to create new works that somehow reflect John Cage's ideas and spirit.

The first movement is a combination of an instrumental score and audio recording of street sounds. This recording was made in 2012 (a year of John Cage's centenary) on the corner of 6th Avenue and West 18th Street near the building where he had lived for many years. This audio has no overdubs and no effects. John Cage himself could have heard these sounds from the window of his apartment… The score for strings and piano is an interplay of the notes C-A-G-E and the numbers – the date of his birth: day, month, year, century (5 September, 1912).
In the very beginning we hear the voice of John Cage. Just a few words from his last radio appearance, Around New York show with John Schaefer on WNYC, July 15, 1992. I have kept a tape with recording of that show. "There is composition (writing music), and there is listening to music, and they are quite different things."

The second movement is a song to the text from Thirteen and three-fourths mesostics on John Cage by anonymous author. A mesostic is an unrhymed poem that has letters within the lines that form a word or phrase when read vertically. Cage wrote numerous texts in this technique. This song is based on the same four notes: C-A-G-E.

A very Cagean story happened to me when I was searching for a text for the song. I thought: it would be great to use some of John Cage's mesostics. I started to google, and I found the above-mentioned text: Thirteen and three-fourths mesostics on John Cage. It was in the form of four pictures looking like scanned pages from a book. I have never seen a mesostic written by Cage and based on his own name, so I was very happy to find this text. I wrote a song. Just before the premiere at Baryshnikov Arts Center in January 2018 I sent an email to Laura Kuhn, a director of John Cage trust. I wanted to invite her to the performance, so I attached a description of my composition, and also this poem. She replied: "This text isn't written by Cage. Believe me, I know every single word ever written by him. I guarantee that this in not a text created by Cage. I guess someone wrote it using this technique as a dedication to Cage. Where did you find it?" – I explained. – "Okay, you can use it but please figure out who wrote it." …I did my best to find the name of the author but I didn't find it. The text was available only on these four scanned pages with no name on it. And I thought: Isn't that amazing? It's exactly in the spirit of John Cage: a text based on his name and written in his style exists but the name of its author doesn't.

AB

 

 

 

(C) FANCYMUSIC 2025

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